Analysis of A Forsaken Garden



IN a coign of the cliff between lowland and highland,
     At the sea-down's edge between windward and lee,
Walled round with rocks as an inland island,
     The ghost of a garden fronts the sea.
A girdle of brushwood and thorn encloses
     The steep square slope of the blossomless bed
Where the weeds that grew green from the graves of its roses
          Now lie dead.

The fields fall southward, abrupt and broken,
     To the low last edge of the long lone land.
If a step should sound or a word be spoken,
     Would a ghost not rise at the strange guest's hand?
So long have the grey bare walks lain guestless,
     Through branches and briars if a man make way,
He shall find no life but the sea-wind's, restless
          Night and day.

The dense hard passage is blind and stifled
     That crawls by a track none turn to climb
To the strait waste place that the years have rifled
     Of all but the thorns that are touched not of time.
The thorns he spares when the rose is taken;
     The rocks are left when he wastes the plain.
The wind that wanders, the weeds wind-shaken,
          These remain.

Not a flower to be pressed of the foot that falls not;
     As the heart of a dead man the seed-plots are dry;
From the thicket of thorns whence the nightingale calls not,
     Could she call, there were never a rose to reply.
Over the meadows that blossom and wither
     Rings but the note of a sea-bird's song;
Only the sun and the rain come hither
          All year long.

The sun burns sere and the rain dishevels
     One gaunt bleak blossom of scentless breath.
Only the wind here hovers and revels
     In a round where life seems barren as death.
Here there was laughing of old, there was weeping,
     Haply, of lovers none ever will know,
Whose eyes went seaward a hundred sleeping
          Years ago.

Heart handfast in heart as they stood, "Look thither,"
     Did he whisper? "look forth from the flowers to the sea;
For the foam-flowers endure when the rose-blossoms wither,
     And men that love lightly may die---but we?"
And the same wind sang and the same waves whitened,
     And or ever the garden's last petals were shed,
In the lips that had whispered, the eyes that had lightened,
          Love was dead.

Or they loved their life through, and then went whither?
     And were one to the endÑbut what end who knows?
Love deep as the sea as a rose must wither,
     As the rose-red seaweed that mocks the rose.
Shall the dead take thought for the dead to love them ?
     What love was ever as deep as a grave ?
They are loveless now as the grass above them
          Or the wave.

All are at one now, roses and lovers,
     Not known of the cliffs and the fields and the sea.
Not a breath of the time that has been hovers
     In the air now soft with a summer to be.
Not a breath shall there sweeten the seasons hereafter
     Of the flowers or the lovers that laugh now or weep,
When as they that are free now of weeping and laughter
          We shall sleep.

Here death may deal not again for ever;
     Here change may come not till all change end.
From the graves they have made they shall rise up never,
     Who have left nought living to ravage and rend.
Earth, stones, and thorns of the wild ground growing,
     While the sun and the rain live, these shall be;
Till a last wind's breath upon all these blowing
          Roll the sea.

Till the slow sea rise and the sheer cliff crumble,
     Till terrace and meadow the deep gulfs drink,
Till the strength of the waves of the high tides humble
     The fields that lessen, the rocks that shrink,
Here now in his triumph where all things falter,
     Stretched out on the spoils that his own hand spread,
As a god self-slain on his own strange altar,
          Death lies dead.


Scheme ABABCDCD EFEFCGCG HIHIEJEJ KLKLMNMN COCOPQPQ LBMBADAD MCMCRSRS CBCBMTMT MXMAPBPB UVUVMDMD
Poetic Form Tetractys  (26%)
Metre 001101011010 10111011001 111111110 011010101 01011011 01111011 1011111011110 111 0111001010 1011110111 10111101110 1011110111 111011111 1100110111 11111101110 101 0111011010 111011111 10111101110 11101111111 0111101110 011111101 0111001110 101 1010111101111 101101101111 1010111010011 111101001101 1001110010 110110111 1001001110 111 01110011 11110111 1001110010 0011111011 11110111110 111011011 1111001010 101 110111111 1110111010101 10110011011010 0111101111 0011100111 011001011001 0011110011110 111 11111101110 00110111111 11101101110 101111101 10111101111 1111011101 11101101011 101 1111110010 11101001001 10110111110 00111101011 1011110010010 1010101011111 1111111110010 111 1111101110 111111111 101111111110 11111011001 1101101110 1010011111 10111011110 101 10111001110 110010111 101101101110 011100111 11011011110 1110111111 10111111110 111
Closest metre Iambic pentameter
Characters 3,709
Words 673
Sentences 30
Stanzas 10
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 80
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 275
Words per stanza (avg) 67
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Submitted on May 13, 2011

Modified on April 30, 2023

3:23 min read
193

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

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