Analysis of Hermaphroditus



I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.

II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.

III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?

IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?

Au Musée du Louvre, Mars 1863.


Scheme ABCCBXCCBDDDEDE AFGGFHGGHIJIJIJ AKLLKKFLKDMDMDM BNOONDOONLHFLLH X
Poetic Form
Metre 1 1111111111 1111110111 111101111 1011111101 11010111101 1111011001 1111010111 10111100101 111100101001 1001101111 00101111011 11111101110 01010011101 01011111010 1 1011011111 1111110101 1111110111 1001011001 101110101 11110111011 1111011111 1101111111 11011111 0101110111 1101110111 01010010111 1111010111 1101011100 1 1111111111 110111011 101010101011 1101110101 1101111011 11110111 111101011 1111010101 1111111111 01010111010 1101011111 11110101110 10101110101 11110111010 1 1111111111 1111111111 11111101 110111111 1101110101 11111011111 1101011101 1101010011 1111110111 010100101 11110011 0011110011 0111110011 11101111111 1111101
Closest metre Iambic pentameter
Characters 2,517
Words 496
Sentences 20
Stanzas 5
Stanza Lengths 15, 15, 15, 15, 1
Lines Amount 61
Letters per line (avg) 32
Words per line (avg) 8
Letters per stanza (avg) 396
Words per stanza (avg) 99
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Submitted on May 13, 2011

Modified on May 03, 2023

2:28 min read
503

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

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