Analysis of Love: To A Little Girl



When we all lie still
Where churchyard pines their funeral vigil keep,
Thou shalt rise up early
While the dews are deep;
Thee the earliest bird shall rouse
From thy maiden sleep,
Thy white bed in the old house
Where we all, in our day,
Lived and loved so cheerly.
And thou shalt take thy way
Where the nodding daffodil
Tells thee he is near;
Where the lark above the corn
Sings him to thine ear;
Where thine own oak, fondly grim,
Points to more than thou canst spy;
And the beckoning beechen spray
Beckons, beckons thee to him,
Thee to him and him to thee;
Him to thee, who, coy and slow,
Stealest through dim paths untrod
Step by step, with doubtful glance,
Taking witness quick and shy
Of each bud and herb and tree
If thou doest well or no.
Haste thee, haste thee, slow and coy!
What! art doubting still, though even
The white tree that shakes with fear
When no other dreams of ill,
The girl-tree whom best thou knowest,
Waves the garlands of her joy,
And, by something more than chance,
Of all paths in one path only
The primroses where thou goest
Thicken to thy feet, as though
Thou already wert in heaven
And walking in the galaxy.
Do those stars no longer glisten
To thy steps, ah! shivering maid,
That, where upper light doth fade
At yon gnarled and twisted gate,
Thou dost pause and tremble and so,
Listening stir, and stirring listen?
Not a blossom will illume
That chill grove of cambering yew
Wherein Night seems to vegetate,
And, through bats and owls, a dew
Of darkness fills the mortal gloom.
Haste thee, haste thee, gaze not back!
Of all hours since thou wert born,
Now thou may'st not look forlorn;
Though the blackening grove is dread,
Shall he plead in vain who pled
'To-morrow?' Through the tree-gloom lonely
One more shudder, and the track
Softens: this is upland sod,
Thou canst smell the mountain air,
What was heavy overhead
Lightens, the black whitens, the white brightens!
Ah, dear and fair,
Lo the dazzling east, and lo,
Someone tall against the sky
Coming. coming, like a god,
In the rising morn!
And when the lengthening days whose light we never saw
Have melted his sweet awe,
And thy fond fear is like a little hare,
Large-eyed and passionately afraid,
That peepeth from the covert of her rest
Into the narrow glade
Between two woods, and doth a moment dare
The sunshine, and leap back; yet forth will fare
Again, and each time ventures further from the nest,
Till, having past the midst ere she be 'ware,
Bold with fear to be so much confest
She flees across the sun into the other shade;
Flees as thou that didst so coyly draw
Near him and nearer, and art trembling there
Midway 'twixt giving all and nought,
In a moment, at a thought,
Bashful to panic, hidest on his breast;
Once again beneath the hill
Where round our graves these funeral pines refuse
The clamorous morning, thou shalt rise up early
When we all lie still.
Thou shalt rise up early while
Down the chimney, ample and deep,
Dreaming swallows gurgle, and shrill
In window-nook the mossy wren
Chirps an answer cheerly,
Chirps and sinks to sleep.
In the crossed and corbelled bay
Of that ivied oriel, thou
Lovest at morn and eve to muse;
But this once thou shalt not stay
To mark the forming earth. and how
Far and near, in equal grey
Of growing dawn, thy well-known land
Now to the strained gaze appears
The nebulous umbrage of itself, and now,
Ere one can say this or this,
Divides upon the sense into the world that is,
As the slow suffusion that doth fill
Tender eyes with soft uncertainties,
Suddenly, we know not when,
Shapes to tears we understand;
Such tears as blind thy eyes with light,
When thou shalt rise up, white from white,
In thy virgin bed
On that morn, and, by and by,
In thy bloom of maidenhead
Beam softly o'er the shadowy floor,
And softly down the ancient stairs,
And softly through the ancestral door,
And o'er the meadow by the house
Where thy small feet shall not rouse
From the grass those unrisen pray'rs,
The skylarks, though thy passing smile
Shall touch away the dews.
And thou shalt take thy way,
Ah whither? Where is the dear tryst to-day?
Trembler, doth he wait for thee
By the ash or the beech-tree?
With the lightest earliest breeze
The dodder in the hedge is quaking,
But the mighty ash is still a-slumber;
All its tender multiplicity
Drooped with a common sleep, by twos and threes,
That triple into companies,
Which, in


Scheme Text too long
Poetic Form
Metre 11111 1111100101 111110 10111 10100111 11101 1110011 1110101 10111 011111 101010 11111 1010101 11111 1111101 1111111 0010011 1010111 1110111 1111101 11111 1111101 1010101 1110101 111111 1111101 11101110 0111111 1110111 0111111 101101 0110111 11101110 010111 1011111 10101010 01000100 11111010 11111001 1110111 1110101 11101001 100101010 101011 111111 0111110 0110101 11010101 1111111 11101111 11111101 10100111 1110111 110101110 1110001 1011101 1110101 1110101 100110110 1101 10100101 110101 1010101 00101 0101001111101 110111 0111110101 110100001 111010101 010101 0111010101 010111111 010111010101 1101011111 11111111 110101010101 111111101 11010011001 1110101 0010101 101101111 1010101 111011100101 0110111110 11111 1111101 10101001 10101001 0101011 11101 10111 0010101 11111 1110111 1111111 11010101 1010101 11011111 1101101 01001010101 1111111 010101010111 1011111 101110100 1001111 111101 11111111 11111111 01101 1110101 01111 1101001001 01010101 010100101 01001101 1111111 101111 0111101 110101 011111 1101101111 111111 1011011 10101001 01001110 1010111010 11100100 1101011101 11001100 10
Closest metre Iambic tetrameter
Characters 4,226
Words 794
Sentences 21
Stanzas 1
Stanza Lengths 130
Lines Amount 130
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 3,419
Words per stanza (avg) 793
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Submitted on May 13, 2011

Modified on March 05, 2023

3:59 min read
35

Sydney Thompson Dobell

Sydney Thompson Dobell, English poet and critic, was born at Cranbrook, Kent. more…

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