Analysis of Ellen. A Fragment



Is she not beautiful, although so pale?
The first May flowers are not more colourless
Than her white cheek; yet I recal the time
When she was called the rosebud of our village.
There was a blush, half modesty, half health,
Upon her cheek, fresh as the summer morn
With which she rose. A cloud of chesnut curls,
Like twilight, darkened o’er her blue-veined brow;
And through their hazel curtains, eyes, whose light
Was like the violet’s, when April skies
Have given their own pure colour to the leaves,
Shone sweet and silent, as the twilight star.
And she was happy—innocence and hope
Make the young heart a paradise for love.
And she loved, and was loved. The youth was one
That dwelled on the waters. He had been
Where sweeps the blue Atlantic, a wide world—
Had seen the sun light up the flowers, like gems,
In the bright Indian isles—had breathed the air
When sweet with cinnamon, and gum, and spice.
But he said that no air brought health, or balm,
Like that on his own hills, when it had swept
O'er orchards in their bloom, or hedges, where
Blossomed the hawthorn and the honeysuckle;
That, but one voyage more, and he would come
To his dear Ellen and her cottage home—
Dwell there in love and peace. And then he kissed
Her tears away, talked of the pleasant years
Which they should pass together—of the pride
He would take in his constancy. Oh, hope
Is very eloquent! and as the hours
Pass’d by their fireside in calm cheerfulness,
Ellen forgot to weep.
⁠At length the time
Of parting came; ’twas the first month of Spring.
Like a green fan spread the horse-chesnut’s leaves,
A shower of yellow bloom was on the elm,
The daisies shone like silver, and the boughs
Were covered with their blossoms, and the sky
Was like an augury of hope, so clear,
So beautifully blue. Love! oh young love!
Why hast thou not security? Thou art
Like a bright river, on whose course the weeds
Are thick and heavy; briers are on its banks,
And jagged stones and rocks are mid its waves.
Conscious of its own beauty, it will rush
Over its many obstacles, and pant
For some green valley, as its quiet home.
Alas! either it rushes with a desperate leap
Over its barriers, foaming passionate,
But prisoned still; or winding languidly,
Becomes dark, like oblivion, or else wastes
Itself away—This is love‘s history.

They parted one spring evening; the green sea
Had scarce a curl upon its wave; the ship
Rode like a queen of ocean. Ellen wept,
But not disconsolate, for she had hope.
She knew not then the bitterness of tears.
But night closed in; and with the night there came
Tempest upon the wind, the beacon light
Glared like a funeral pile; all else was black
And terrible as death. We heard a sound
Come from the ocean—one lone signal gun,
Asking for help in vain—followed by shrieks,
Mocked by the ravening gale; then deepest silence.
Some gallant souls had perished. With the first
Dim light of morn, they sought the beach; and there
Lay fragments of a ship, and human shapes,
Ghastly and gashed. But the worst sight of all—
The sight of living misery, met their gaze.
Seated upon a rock, drenched by the rain,
Her hair torn by the wind, there Ellen sat,
Pale, motionless. How could love guide her there?
A corpse lay by her; in her arms its head
Found a fond pillow, and o‘er it she watched,
As the young mother watches her first child.
It was her lover—


Scheme ABCXXXBXDBBXEFGXXBHBXIHXXJXBXEBBKCXBXBXXFXBBBXXJKXABX BXIEBXDXXGBBXHBXBXXHXXXX
Poetic Form
Metre 111100111 011101111 101111101 111101011010 1101110011 0101110101 111101111 111010111 0111010111 1101001101 1101111101 110101011 0111010001 101101011 0110110111 111010111 1101010011 11011101011 00110011101 1111000101 1111111111 1111111111 10100111101 100100100 1111010111 1111000101 1101010111 0101110101 1111010101 1110110011 11010001010 11101011 100111 1101 1101101111 101110111 01011011101 0101110001 0101110001 11111111 110011111 1111010011 1011011101 1101011111 011011111 1011110111 1011010001 1111011101 011011010101 10110010100 11011101 01110100111 0101111100 1101110011 1101011101 1101110101 1111111 1111010011 1110010111 1001010101 11010011111 0100111101 1101011101 1011011011 1101111010 1101110101 1111110101 1101010101 1001101111 01110100111 1001011101 0111011101 1100111101 0111000111 1011001111 1011010011 11010
Closest metre Iambic pentameter
Characters 3,381
Words 608
Sentences 33
Stanzas 2
Stanza Lengths 53, 24
Lines Amount 77
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 1,305
Words per stanza (avg) 304
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Submitted by Madeleine Quinn on March 03, 2020

Modified on March 05, 2023

3:02 min read
23

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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