Analysis of Old Town Types No. 25 - Black Peter Myloh



A man was Peter Myloh, strong-browed and black of face,
Australian Aboriginal, son of a dark doomed race.
And even I, an urchin then, read grief in his soft eye
Deep grief, that came with knowledge for a people who must die,
For he was 'educated.'  But he came of no meek race
Whining, 'Gibbit tickpen', mister,' with a shamed averted face.
 And he was proud, quick with a blow for some fool's sneering slight,
 And how I grinned and hugged myself.  For, lordy!  Could he fight!

Old Connors took him as a boy from some wild Murray tribe
And thought to educate him as a scholar and a scribe,
First at school, and then at college.  'Twas a venture ill begun,
For Connors soon grew tired of it; and left him on the run,
A sort of favoured hanger-on, whom every breed forsook,
To be the butt of shearers there, less than the Chinese cook.
And after he'd half-killed a man, and seemed hell-bound for doom,
'Twas my father gave him sanctu'ry as handyman and groom.

Black Myloh loved my father; but the service of a slave
Was nought beside the hero-worship I, a stripling, gave
This lithe, dark-skinned Ulysses with the low, soft school-bred voice
And proudly then I would have changed my colour, had I choice.
For we were mates as men were mates on some forgotten day
Ere 'progress' came with all its care, and life was mostly play.
He taught me then the wise bush-lore learned centuries ago
By a simple, carefree people versed in arts no 'white' may know.

I learned how souls 'go walkabout', of dreams that are no dreams;
We ranged the plains, the scrub-clad hills, we fished the gum-lined streams,
And much I gained that served me well when from that home I ran,
And chose to act the prodigal, and learned to be a man…
And then, the white-scourge took him.  Well do I mind my grief -
Fierce, childish grief, the questionings, the shaking of belief…
But that was very long ago; yet, even now, much truth
I winnow from Black Myloh's lore, the real friend of my youth.


Scheme AABBAACC DDEEFFGG HHIIJJKK LLMMNNOO
Poetic Form
Metre 011101110111 0100100110111 01011101110111 11111101010111 1111001111111 1011101010101 01111101111101 011101111111 11011101111101 0111011010001 111011101010101 110111011011101 01111011100101 1101111110011 01011101011111 111011111001 1111101010101 11010101010101 11110101011111 0101111111111 11011101110101 1111111011101 11110111110001 10101101011111 111111111111 11010111110111 01111111111111 01110100011101 0101111111111 11010100010101 11110101110111 111111011111
Closest metre Iambic heptameter
Characters 1,943
Words 364
Sentences 15
Stanzas 4
Stanza Lengths 8, 8, 8, 8
Lines Amount 32
Letters per line (avg) 47
Words per line (avg) 11
Letters per stanza (avg) 376
Words per stanza (avg) 91
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Submitted on May 13, 2011

Modified on March 05, 2023

1:49 min read
121

Clarence Michael James Stanislaus Dennis

Clarence Michael James Stanislaus Dennis, better known as C. J. Dennis, was an Australian poet known for his humorous poems, especially "The Songs of a Sentimental Bloke", published in the early 20th century. Though Dennis's work is less well known today, his 1915 publication of The Sentimental Bloke sold 65,000 copies in its first year, and by 1917 he was the most prosperous poet in Australian history. Together with Banjo Paterson and Henry Lawson, both of whom he had collaborated with, he is often considered among Australia's three most famous poets. While attributed to Lawson by 1911, Dennis later claimed he himself was the 'laureate of the larrikin'. When he died at the age of 61, the Prime Minister of Australia Joseph Lyons suggested he was destined to be remembered as the 'Australian Robert Burns'. more…

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